Chris Campbell

Nov 2022

Snow on the roof of the car this morning.

Nov 2022

Starting to make some coffee as I look out at the light dusting of snow on the ground and feeling good that I got my snow tires on yesterday.

Nov 2022

Still enjoying The Peripheral and seeing characters brought to life and the way that the series feels new and different and strangely familiar.

Nov 2022

Such a strange feeling on Twitter tonight as everyone is saying goodbye and remembering the connections they made. The longer you’ve been around you realize how you stay connected in different ways. Some things stay and some things go. This is life.

Nov 2022

Michael Curtiz’s 1950 noir ‎THE BREAKING POINT is my #Noirvember film for today. 🎥

Nov 2022

Tonight’s #Noirvember film is the 1949 noir ‎THIEVES’ HIGHWAY directed by Jules Dassin. 🎥

Nov 2022

Tonight’s #Noirvember film is the haunting and enigmaticac 2020 Hungarian film ‎PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME directed by Lili Horvát. 🎥

Nov 2022

Watching ‎the restored version of John Huston’s 1952 film MOULIN ROUGE in The Film Foundation Restoration Screening Room. 🎥

Nov 2022

One of the wonderful things about #Noirvember is finding unseen films from unexpected directors and my next noir is a silent film from Yasujirō Ozu, the 1933 Japanese film ‎DRAGNET GIRL on The Criterion Channel. 🎥

Nov 2022

Watching ‎some noir from France for #Noirvember with the 1946 film PANIC directed by Julien Duvivier on The Criterion Channel. 🎥